造物的奇迹

• HD中字

• HD中字

• HD中字

造物的奇迹电影是一部上映于1925年的科幻片，在其它上映后获得了电影迷的一致好评，其中主演Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl等人也有不孰的表现，《造物的奇迹》电影的整体故事节奏进展有序，《造物的奇迹》背景人物、矛盾冲突都在电影中交代清楚了，《造物的奇迹》的台词也蛮有梗有趣的，同时对于《造物的奇迹》电影来说，至关重要的是《造物的奇迹》导演Hanns,Walter,Kornblum将专业演员和非专业演员放在一起，这种对演员和表演直觉一般的把握，证明了Hanns,Walter,Kornblum的导演功力已经炉火纯青了。

如果你查看《造物的奇迹》的演职员表；相信提起导演Hanns,Walter,Kornblum执导的特点，从《造物的奇迹》里的第一场对话戏中，就可以看出导演Hanns,Walter,Kornblum对演员的要求是非常高的，《造物的奇迹》也有一段纯对话戏，通过造物的奇迹主演你来我往的深入聊天，来拉近观众与造物的奇迹人物之间的关系。在《造物的奇迹》中，Hanns,Walter,Kornblum不但是画面的掌控者，还让《造物的奇迹》的演员有了即兴表演时刻，而这些暧昧意象的不确定性与全片这一若隐若现的主题相互呼应。

造物的奇迹剧情讲述了Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.